Theological truth and creative fiction are much closer to each other than might at first be presumed, Alison Goodlad discovers in reviewing Peter C. Hodgson's evocative treatment of the work of George Eliot.

Alison Goodlad re-reads George Eliot’s classic ‘Middlemarch’ – and discovers that its provincial narrative has some powerful things to tell us about loving purpose in life, atonement and even Eucharistic living.