The meaning and integrity of any creative work – literary, musical or visual – inheres in completeness. Imagine Beethoven's last symphonic work without the great choral cry of “Freude!” Or Shelley's Ozymandias shorn of its final four lines and thus reduced from an enduring reminder of the transience of power to a graceful, if mordant antiquarian observation.
Red, white, purple or any combination thereof. The hue of the poppy we wear should be the choice of an informed conscience. To be coerced into a symbol, for whatever reason and by whatever means, immediately invalidates its significance.
This year Remembrance Day and the Sunday events associated with it will have an added poignancy because of the marking of the centenary of the First World War and all the discussion and debate that has occasioned.
Yesterday saw the formal launch of the White Feather Diaries, a social media project exploring the lives of British pacifists during the first world war. The project's run by Quakers in Britain, who hired me as a writer and an editor for the project. I'm really pleased to be working on this project. Yesterday we announced the names of the five individuals whose writings will form the basis of the project, when it goes online in the summer.
Peace activist, writer and Ekklesia associate Symon Hill has established a petition at Change.org calling on the Royal Mint: to replace the the Kitchener £2 coin with one that truly commemorates the millions who died in the First World War.
Consider these two excerpts: “Writing for the religious website Ekklesia, Jill Segger explained why good people must not show solidarity with ex-servicemen and women.” and “The brutalising experiences of combat lead many to harm themselves and others when they return to civilian life. These people deserve our compassion and support.”